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AMERICAN RECORD GUIDE
“Hear them if you can, either in concert or this way.”
— Gorman
Mai-Juin 2020
“Hear [the Duo Kalysta] if you can, either in concert or this way.”
— Gorman, American Record Guide
May-June 2020 (about the recording Origins)
“Deutsch, a player who can soften or strengthen her handsome tone according to need, is very much in the first chair.”
— Arthur Kaptainis, La Scena Musicale
February 2020
"Deutsch revealed new worlds of colour and meaning in every single note ... an astonishing artist"
— Scott Tresham, Senior Producer at CBC Music
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À propos de Cori Ellison
Cori Ellison, une figure créative de premier plan dans le monde de l'opéra, a été dramaturge au Santa Fe Opera, au Glyndebourne Festival et au New York City Opera. Active dans le développement de l'opéra contemporain, elle est membre fondatrice du programme de développement des compositeurs et librettistes de l'American Lyric Theatre et a développé de nouvelles œuvres lyriques pour des compagnies telles que Glyndebourne, Icelandic Opera, Canadian Opera, Norwegian Opera, Opera Philadelphia, Chicago Opera Theatre, Arizona Opera, Opera Birmingham, Pittsburgh Opera, Beth Morrison Projects, Miller Theatre, Indiana University et Crane School of Music. Elle a été dramaturge de production pour des projets tels que L'incoronazione di Poppea à Cincinnati Opera; Orphic Moments à Landestheater de Salzbourg, National Sawdust et Master Voices; Aci, Galatea, e Polifemo à National Sawdust et Philharmonia Baroque; Cycle Ring à Washington National Opera, The Nose à l'Opera Boston et Offenbach !!! à Bard Summerscape.
À la Juilliard School, où elle fait partie de la faculté des arts vocaux, elle dirige Opera Lab, un programme de formation pratique pour compositeurs, librettistes et interprètes. Elle est aussi partie de la faculté du Ravinia Steans Music Institute Program for Singers et a entraîné et enseigné des cours de maître pour chanteurs dans des écoles telles que l'Université de l'Indiana, le Cincinnati College-Conservatory, le Mannes College, l'Université de Toronto, l'Université du Texas à Austin, l'Université de Michigan, l’Université de Boston, le Conservatoire de Boston, l’Université d'État du Michigan, l’Université DePaul, l’Université de Illinois, l’Université Loyola, l’Université d'État de Montclair, l’Université de Utah et le programme Prelude to Performance de Martina Arroyo. Elle est régulièrement membre du jury du Metropolitan Opera Laffont Competition, du Concurso San Miguel au Mexique et de nombreux autres concours vocaux. Elle crée des surtitres pour des compagnies d'opéra du monde entier et a contribué au lancement de Met Titles, le système de traduction simultanée du Met. Ses traductions anglaises incluent Hansel and Gretel (NYCO), La vestale (English National Opera) et Cherry Tree Towers de Chostakovitch (Bard Summerscape). Elle a souvent écrit pour le New York Times et a contribué à des livres tels que The New Grove Dictionary of Opera et The Compleat Mozart.
Cori Ellison, a leading creative figure in the opera world, has served as staff Dramaturg at Santa Fe Opera, the Glyndebourne Festival, and New York City Opera. Active in developing contemporary opera, she is a founding faculty member of American Lyric Theater’s Composer Librettist Development Program and has developed new operatic works for companies including Glyndebourne, Icelandic Opera, Canadian Opera, Norwegian Opera, Opera Philadelphia, Chicago Opera Theater, Arizona Opera, Opera Birmingham, Pittsburgh Opera, Beth Morrison Projects, the Miller Theater, Indiana University, and Crane School of Music. She has served as production dramaturg for projects including L'incoronazione di Poppea at Cincinnati Opera; Orphic Moments at the Salzburg Landestheater, National Sawdust, and Master Voices; Aci, Galatea, e Polifemo at National Sawdust and Philharmonia Baroque; Washington National Opera’s Ring cycle, Opera Boston’s The Nose, and Offenbach!!! at Bard Summerscape.
At The Juilliard School, where she serves on the Vocal Arts faculty, she leads Opera Lab, a practical training program for composers, librettists, and performers. She is also a faculty member at the Ravinia Steans Music Institute Program for Singers and has coached and taught master classes for singers at schools including Indiana University, Cincinnati College-Conservatory, Mannes College, University of Toronto, University of Texas at Austin, University of Michigan, Boston University, Boston Conservatory, Michigan State University, DePaul University, University of Illinois, Loyola University, Montclair State University, University of Utah, and Martina Arroyo’s Prelude to Performance program. She regularly serves as a judge for the Metropolitan Opera Laffont Competition, Concurso San Miguel in Mexico, and many other vocal competitions. She creates supertitles for opera companies worldwide, and helped launch Met Titles, the Met’s simultaneous translation system. Her English singing translations include Hansel and Gretel (NYCO), La vestale (English National Opera) and Shostakovich’s Cherry Tree Towers (Bard Summerscape). She has often written for the New York Times and has contributed to books including The New Grove Dictionary of Opera and The Compleat Mozart.